Pope Vicky: Her Time Has Come
Pope Vicky Celebrates the First Women Priests
Pope Victoria I—“Pope Vicky”—chose her name in celebration of one of the first Roman Catholic woman priests ordained at the beginning of the 21st century. She and the other women were part of a movement to transform the Roman Catholic Church into a more inclusive, Christ-centered, Spirit-empowered church of equals.
The first women priests were ordained by male bishops. Later, some of these women were consecrated as bishops and continued to ordain other women priests. The women were ordained in the line of unbroken apostolic succession within the Roman Catholic church.
The People Love Pope Vicky
Today, no one bats an eye about a woman Pope. The people love Pope Vicky.
Pope Vicky leads the congregation in the Victory Songs of the women of ancient Israel.
Pope Vicky's Theology
The people love Pope Vicky’s theology. In a series of Papal encyclicals, Pope Vicky elevated God’s word that the earth and all its creatures are holy.
In “Pacem in Terra,” Pope Vicky called for the abolition of all nuclear weapons. On an official trip to Washington, D.C., Pope Vicky went to the White House to discuss the issue with the President of the United States.
Pope Vicky also went to the U.S. Supreme Court, where the legal battle for reproductive rights for women was still being fought. The Roman Catholic church had finally recognized this right in Pope Vicky’s encyclical, “Humane Vitae et Mulier Integritate Corporis” (Human Life and the Integrity of the Female Body).
Pope Vicky Adds a Twist
When conducting non-liturgical Papal business, Pope Vicky wears the simar—a cassock with the attached white cape— and the gold-fringed fascia. The fascia is embroidered with her chosen coat of arms, the symbol of the Trinity.
For choir dress, she wears a lacey or embroidered rochet over the cassock. A short cape is worn over the rochet—red satin in summer, red velvet with ermine trim in winter, and white damask silk during Easter.
Pope Vicky Vests for the Mass
When vesting for the Mass, Pope Vicky follows the sacred rituals. She begins by donning the amice—the symbol of the helmet of salvation. As Pope Vicky puts on the amice, she kisses the embroidered cross, touches it to her forehead, and prays.
Next comes the rochet—like the priest’s alb, it is white, the symbol of purity. The embroidered dragonfly on Pope Vicky’s rochet is one of her favorite symbols. To Pope Vicky, the translucent spectrum of color in the dragonfly’s wings represents clarity and perception. The dragonfly’s life cycle from water to sky represents the church’s transformation.
Finally the cincture, tied around the waist, represents chastity. Using this relic reminds Pope Vicky that there was a time when priests—-LGBT and otherwise—were not allowed to marry.
The chasuble is the outermost sacramental garment worn only for the celebration of the Eucharist. The pallium, a narrow band made from lamb’s and sheep’s wool, symbolizes the bishop’s role as pastor of the flock entrusted to her by Christ.
Pope Vicky Restores Papal Regalia
Papal regalia are ceremonial dress and objects, such as the Papal tiara, staff, cope, and formale.
Papal regalia were abandoned by Pope Vicky’s predecessors who believed Christ should be represented with simplicity, not gold and silver.
Pope Vicky has rethought this theology. With many exquisite handcrafts facing extinction, Pope Vicky believes the church has a sacred duty to revive textiles and metalwork that have been important to the social, spiritual, and economic lives of people the world over. Pope Vicky promotes fair trade sacramental handicrafts and hopes to see them woven into the common and spiritual lives of Roman Catholics everywhere.
Pope Vicky also understands that the people crave true pageantry in sacred celebrations. She reached deep into the Vatican archives to study the original forms of pontifical rites. Pope Vicky has not shied away from exhibiting former symbols of the episcopacy, even as she seeks to redefine them for contemporary times.
Deacons serve as cope bearers in this regal Easter procession.
Pope Vicky Reflects on Her Journey
Pope Vicky adores the people. But after all the papal audiences, sacramental services, and jubilant processions, she looks forward to being alone.
For though the people love Pope Vicky, she still faces resistance to her vision for the church. She needs rest and time to reflect.
Pope Vicky often goes on spiritual retreats—at times in far away places. She draws inspiration for her devotional practice from all the world’s religions.
During a recent retreat, one of Pope Vicky’s secretaries thought he saw her in prayer, talking with an angel. When he asked her about it, she coyly answered his question, quoting American poet Mary Oliver: “Tell me, what is it you plan to do with your one wild and precious life?”
Scenes are real; they are not Photoshopped
Chicago: Wrigley Building, Main Branch of Chicago River from Michigan Avenue Bridge, Millennium Park, “Loop Tatoo” mural by Johanna Poethig (Lake Street), Chicago Theater (State Street), Lakeview Presbyterian Church
Philadelphia: Center City (various, including Rittenhouse Square)
Washington, D.C.: White House, U.S. Supreme Court, Enid A. Haupt Garden at the Smithsonian Castle
Bali, Indonesia: Village temple, family compound shrine, and
Pope Vicky is an art project. It is neither affiliated with nor endorsed by Mattel, Inc., or the Roman Catholic Womenpriests-USA, Inc.